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• 7.1.2- and 7.0.2-channel surround track, plug-in, and bus support. • 3D Panner with Height Controls for adjusting signal height manually as well as automatically with shaped pan guides. • A New “Theater” view for the pan window provides a dimensional, rotating theater-perspective panner. • Atmos Renderer Communication and Object panning lets you connect up to 128 inputs, with a total of 118 Objects from Pro Tools directly to a Dolby RMU or to the Dolby Atmos Renderer software.
• New “Atmos” tab in Setup > Peripherals to manage Renderer connections. • Object mapping for buses via I/O Setup: any mono path or stereo pair of mono subpaths can be mapped to Objects found declared on the renderer. • Automated Busing between a track’s Object output and Main output. • Object Fold-down Bus. • Prepare, repurpose, edit, and rough mix using all of the object-based workflows in Pro Tools but without needing to be actively connected to a renderer.
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Object routes are automatically folded down to an output of your choice for monitoring until a renderer is connected. • Enhanced Object Re-recording Workflows. • Link and unlink punching of audio and pan automation on recorder systems receiving mastered object audio and metadata. • Input monitoring controls on the recorder toggle between sending source metadata or re-recorded metadata to the renderer to achieve true PEC/DIR film mixing workflows with object audio and metadata. • Import ADM BWAV files generated from Dolby Atmos Printmaster files using Import Session Data to repurpose archived printmaster content. A complete session including object assignments, track names, and pan metadata can be generated from a single supported WAV file.